PRODUCTION DESIGNS

Production Design is the practice of crafting visual elements and emotional responses to create immersive experiences. Human-centered design involves diving into more than color and texture--it revolves around establishing spatial thinking and creative problem-solving. Production Design is all-encompassing world building, character crafting, and atmospheric shaping. ​

Costume Design for World Premiere of "The Humans" by Stephen Karem

Costume Design & Scenic Painter for Martha Clarke's World Premiere of "In the Night"

Costume Design & Scenic Painter for "Sherlock's Last Case"

Costume Designer for immersive production of "Hair"

Scenic & Costume Designer for "Our Dear Dead Drug Lord"

Costume and Make Designer for immersive production of "All-Girl Frankenstein"

Costume Designer for "After Miss Julie"

Scenic Designer & Painter for National Award-Winning production of "Clyde's"

Scenic & Costume Designer for immersive production of "Twelfth Night"

Costume Design & Scenic Painter for "Lost in Yonkers"

Costume Designer for "Charles Ives Take Me Home"

Costume & Mask Design for "Mr. Burns"

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RENDERINGS, DRAFTINGS, & MODELS

Designers use renderings, draftings, and models as a communication tool as they provide a common language between the designer, technicians, directors, etc. These tools help to visualize the design and ensure that it aligns with the client's vision.

I use various programs, including Vectorworks, SketchUp, Procreate, and the Adobe Creative Suite, 
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Scenic Concept Rendering for "Twelfth Night". Stage apron extended and audience seated onstage.

Vectorworks 3D drafting of "Twelfth Night"

Costume Rendering for "Twelfth Night"

Opera Costume Rendering for "H.M.S. Pinafore"

Costume Rendering for "In the Night"

Section for "Our Dear Dead Drug Lord"

Scenic 3D Model in SketchUp for "Clyde's"

3D Model for "Sweat" created in SketchUp

Costume Rendering for Bella in "Lost in Yonkers"